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The Secret Structure of Episodic Television

Become the kind of writer who expertly weaves several storylines at once, by analyzing the first season of HBO's series, Succession.

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Course overview

Master long-arc storytelling

Learn the secret structure that separates good television from great television, because knowing why a story works is more valuable than knowing how a story works.

Who is this course for

01

Any writer who has felt overwhelmed at the idea of having to weave the multiple storylines needed to craft a compelling television series.

02

Any writer who thinks there is a different kind of structure to TV than there is to feature-film writing.

(There isn't 😊).

03

Anyone who dreams of writing epic stories with multiple characters and multiple storylines. Even in a format other than television.

Key outcomes

The Ultimate Story Structure Paradigm

Saving cats and heroic journeys are great when you're first learning story structure, but if you really want to take your understanding of story to the next level you're going to need something a bit more comprehensive. We'll make sure you learn it all. 🤓

The Structure of an Episode

While an episode might contain traces of other storylines, the best way to make a single episode feel complete is insure it contains one clear and persuasive dramatic argument. 💥

The Structure of a Season

Think the story structure of a season works differently than individual episodes, or a single feature-film?


We'll show you how it's all the same. 🤯

The Structure of a Series

Can you see where this is headed? Stories within stories within stories. If you want to pitch a series, you'll want to know what happens in every season.


You'll learn how to plan out years of storytelling by telling that one big story of the entire series. 🏆

See what people are saying

        Since I began working with Jim, my understanding of narrative structure and the quality of my writing has grown leaps and bounds. He is an incredible teacher who is able to explain abstract, complex narrative theory in clear, practical ways. Get ready to see story structure in a whole new light.
Michael DiMartino

Michael DiMartino

co-creator/executive producer, Avatar: The Last Airbender & The Legend of Korra
        Jim Hull knows story better than anyone, from the big picture to the structural bones all the way down to the DNA. He can instantly spot points where the narrative has gone off track and identify solutions that ensure the story has deep meaning.
George Strayton

George Strayton

Writer/Co-Executive Producer, OCTOBER FACTION (Netflix)
        Jim Hull is the only story consultant I’ve ever met who goes beyond dumbing down an idea into a set of steps but instead guides you to flesh out your ideas, showing you where to find the depth and complexity in your story that will make it both satisfying and meaningful to the reader.
Sebastien de Castell

Sebastien de Castell

Bestselling author of twelve novels including Traitor’s Blade and Spellslinger

Meet your instructor

James Hull

James Hull

Former animator/director turned story consultant

With over 25 years of experience in the animation industry as an animator, storyboard artist, and director, I know how important it is to get the story working as soon as possible.


My credits include writing & storyboarding for the legendary Warner Bros. director Chuck Jones, animating on at least 15 films for Disney and Dreamworks (Tarzan and EnchantedShrek 2, and How to Train Your Dragon), and directing for Sony Pictures Television and Dreamworks TV.


As a story consultant I helped develop the Disney animated series Tangled, consulted on Over the Moon and The Mitchells vs. The Machines for Netflix, and worked with several other novelists and screenwriters with their individual projects (Avatar: The Last Airbender's Mike DiMartino, Sebastien de Castell's popular book series, and Dave Collard's Blacklist 2020 spec script (#3), Neither Confirm, Nor Deny).


I'll share with you what I've learned working with these professionals to weave several stories together in the service of one big story. 😃

Course syllabus

10 live sessions • 11 lessons • 9 projects

Week 1

Feb 23—Feb 27

    Feb

    23

    Crash Course in Narrative Structure

    Wed 2/238:00 PM—10:00 PM (UTC)

Week 2

Feb 28—Mar 6

    Mar

    2

    "Celebration" - Episode 1 Analysis

    Wed 3/28:00 PM—9:30 PM (UTC)

Week 3

Mar 7—Mar 13

    Mar

    9

    "S**t Show at the F**k Factory" - Episode 2 Analysis

    Wed 3/98:00 PM—9:30 PM (UTC)

Week 4

Mar 14—Mar 20

    Mar

    16

    "Lifeboats" - Episode 3 Analysis

    Wed 3/167:00 PM—8:30 PM (UTC)

Week 5

Mar 21—Mar 27

    Mar

    23

    "Sad Sack Wasp Trap" - Episode 4 Analysis

    Wed 3/237:00 PM—8:30 PM (UTC)

Week 6

Mar 28—Apr 3

    Mar

    30

    "I Went to Market" and "Which Side Are You On?" - Episodes 5 and 6 Analysis

    Wed 3/307:00 PM—8:30 PM (UTC)

Week 7

Apr 4—Apr 10

    Apr

    6

    "Austerlitz" - Episode 7 Analysis

    Wed 4/67:00 PM—8:30 PM (UTC)

Week 8

Apr 11—Apr 17

    Apr

    13

    "Prague" - Episode 8 Analysis

    Wed 4/137:00 PM—8:30 PM (UTC)

Week 9

Apr 18—Apr 24

    Apr

    20

    "Pre-Nuptial" and "Nobody is Ever Missing" - Episodes 9 and 10 Analysis

    Wed 4/207:00 PM—8:30 PM (UTC)

Week 10

Apr 25—Apr 27

    Apr

    27

    Season One Analysis

    Wed 4/277:00 PM—9:00 PM (UTC)

Bonus

    Crash Course in Narrative Structure

    Great TV shows are not just one story, they're many stories. But first, we need to cover the structure of one complete story. In this first module, you'll learn everything there is to know about story structure from a unique, objective, point-of-view (unlike any other paradigm).

    • ✍️

      Episodic TV Worksheet

      Submit by Mar 3
    • 📄

      Episodic TV Cohort Spring 22: Session 1 Replay

    Episode 1: Celebration

    • 📄

      TV Cohort: Replay Episode 1

    Episode 2: S**t Show at the F**k Factory

    • 📄

      TV Cohort Replay: Episode 02

    Episode 3: Lifeboats

    • ✍️

      "Lifeboats" Storyform Worksheet

      Submit by Mar 16
    • 📄

      TV Cohort Replay: Episode 03

    Episode 4: Sad Sack Wasp Trap

    • ✍️

      "Sad Sack Wasp Trap" Storyform Worksheet

      Submit by Mar 22
    • 📄

      TV Cohort Replay: Episode 04

    Episodes 5+6: "I Went to Market" and "Which Side Are You On?"

    This week is a special one. Both Episodes 5 and 6 work together to tell one story, the midpoint of the entire first season.

    • ✍️

      "I Went to Market" & "Which Side Are You On?" Storyform Worksheet

      Submit by Mar 29
    • 📄

      TV Cohort: Episodes 5+6 Replay - Spring 2022

    Episode 7: Austerlitz

    • ✍️

      "Austerlitz" Storyform Worksheet

      Submit by Apr 5
    • 📄

      TV Cohort Replay: Episode 7 - Spring 2022

    Episode 8: Prague

    • ✍️

      "Prague" Storyform Worksheet

      Submit by Apr 13
    • 📄

      TV Cohort Replay: Episode 7 - Spring 2022

    Episodes 9+10: "Pre-Nuptial" and "Nobody is Ever Missing"

    As with episodes 5 and 6, episodes 9 and 10 tell one story and culminate into the one concluding event of the first season.

    • ✍️

      "Pre-Nuptial" and "Nobody is Ever Missing" Storyform Worksheet

      Submit by Apr 20
    • 📄

      TV Cohort Replay: Episodes 9 & 10 - Spring 2022

    Episode 10: Previously On

    Having explored the individual stories of each episode, we now take a step back to look at the story structure of the entire first season. We'll go over narrative strategies for accomplishing the same kind of long-arc storytelling in your own work.

    • ✍️

      Season One Storyform Worksheet

      Submit by Apr 27
    • 📄

      TV Cohort Replay: Season One Recap Spring 2022

    Creative Strategies for Different Genres

    Having thoroughly examined one of the best seasons of television ever produced, we turn our attention to other great series: The Marvelous Mrs. Maisel, Cobra Kai, Stranger Things, True Detective, and Westworld. While different and unique in their own respects, these series work because they tell complete stories through a thematically-rich Storyform.


    We'll compare & contrast each to Succession and offer up strategies for creating and managing Storyform for your own series.

    • ✍️

      "Monster of the Week Episode" Storyform Worksheet

      Submit by May 4
    • 📄

      The Marvelous Mrs. Maisel Pilot Episode: In-depth Strategies

Story structure inside of story structure

A quick snippet of what you'll learn in this class!

Learning is better with cohorts

Learning is better with cohorts

Active, not passive

This course focuses on live workshops and hands-on projects

Learn with a cohort of peers

You’ll be learning in public through breakout rooms and an engaged community

Learn with a cohort of peers

Surround yourself with like-minded people who want to grow alongside you

Frequently Asked Questions